Ulta Black Friday deals for the 2020 shopping season have already started to trickle out–first up are their Early Black Friday Deals, which are valid today through November 7th (midnight CT). We are expecting more Black Friday deals to kick off during the week of November 23rd. Early Black Friday Deals @ UltaWe’re expecting Ulta to continue to release offers and limited sales between now and Black Friday! They just launched $10 off $50 and $20 off $100 purchases, which is effectively 20% off if you hit the threshold perfectly. $10 off $50+ w/code HOLIDAY10, $20 off $100+ w/code HOLIDAY20, ends 11/14. Here are some all of the active deals at Ulta: Ulta Black Friday Deals 2020 + Pre-Black Friday Deals Added!Check out the full post to view the current sales. Ulta Black Friday 2020 DealsUlta’s Black Friday deals include a mixture of doorbusters along with brands and select products (or product categories) discounted by up to 50% off. We’re still waiting to see what Ulta has in store for us this Black Friday, but here’s a look at some of the top-selling deals from last year:
When is Black Friday 2020?Black Friday is the day after Thanksgiving (which is November 26th), so Black Friday 2020 falls in November 27th, 2020 this year. More and more brands participate each year, which can make it overwhelming to know when to shop or whether a deal is really good. That increased competition has given way to Cyber Week 2020, which kicks off November 23rd, 2020 and marks when most of the earlier sales begin, through Cyber Monday 2020 on November 30th. What is Black Friday 2020?It’s a popular day for brands and retailers to launch mega sales and promotions geared to get your holiday gift-giving dollars. The day after Thanksgiving typically marks the beginning of the holiday shopping season, so retailers get into the season by trying to entice customers with steeper discounts. via https://www.temptalia.com/ulta-black-friday-deals/
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Over one million people worldwide have passed away due to COVID-19 — over 200,000 of those people were in the United States. The sad reality of this pandemic is that one of those numbers may have been a loved one close to you. For many family members of those lost — an in-person memorial or funeral is just not possible. Megan Shoflick and her 16 year old daughter Samantha from Denver have decided to launch a website that may help bring families a bit of peace. They created Covituary.org — a website where anyone can create a free memorial page to help mourn lost loved ones. Megan and Samantha first came up with the idea at the start of quarantine back in March and April. On one of their family walks around their neighborhood — they began to brainstorm ways in which family members could still remember their lost loved ones. “We just thought it was really sad and terrible that people were dying and there was no way for their loved ones to memorialize,” Samantha said. Megan and Samantha felt the effects of the pandemic on a personal note, as well. The parents of one of their family friends experienced a tragic loss — and their loved ones were not able to properly mourn. “The woman ended up passing away. To tell her husband, the family had to take a ladder to his window and tell him his wife had died. He had to watch her funeral on an iPad,” Megan said. “Hearing those stories really made us want to do something.” For the duo, the creation of this project was unknown to them every step of the way. They first had to enlist the help of a web developer to design the website. What was supposed to take four weeks ended up taking six months to perfect. They have also been using basic marketing techniques to get the word out about their site — most of their traffic comes from their social media pages or word of mouth. “This has been really eye-opening and a good learning experience for me,” Samantha said. “I’ve been able to learn about web design and being an entrepreneur. Especially when it comes to working on something that I’m passionate about.” Creating a memorial for a loved one is completely free. Each memorial comes with the opportunity to add photos and videos, a eulogy, a guestbook and milestones of the life of the deceased. You can also include links to donate to charities that your loved one was passionate about. Megan and Samantha want Covituary.org to have a global reach. The website can be translated into several languages so it is widely accessible. You can also customize privacy options so only family can view the memorial page. Your memorial will never expire — it will be around as long as the internet exists. “We’re trying to reach as many people as possible,” Megan said. “We want this to be on the internet forever for future generations to see and remember during this time.” You can visit Covituary and create a memorial here. You can also follow Covituary on Facebook and Instagram — where featured memorials are posted. via https://303magazine.com/2020/11/a-colorado-teenager-and-her-mom-created-an-online-memorial-for-covid-19-victims/ In spite of the unique circumstances brought on by the COVID-19 pandemic, Denver creatives Amy Lisojo and Olive Moya recently collaborated to create a unique collection of eight pieces. Lisojo, originally from New York City, was a student athlete and graduated with a degree in Business. Moya, originally from Southern California, studied Fine Art before she eventually switched to Illustration. Before Moya moved to Denver, her focus was on painting murals. She hoped to combine her styles of photography, conceptual work, typography and illustration to achieve her goals. However, it wasn’t until she moved to the Mile High City she had the opportunity to bring this vision come to life. Moya and Lisojo found the inspiration to break into the art and design industries back in their late teens and early 20’s. From there, they threw everything they had into turning their dreams into reality. “I didn’t know art was a legitimate career choice until my mom brought it up to me one day in high school. We drove to L.A. to visit Otis, and that was pretty much it. From there, I dropped all my advanced classes that I was taking to get into a university in California. I then spent my time creating a portfolio to get into art school,” said Moya. “After college, I went to work at the New York Mercantile Exchange. I found myself creating in-house advertising, graphics and apparel design for the Corporate Communications Department. This lead me to graphic design courses at the School Of Visual Arts in Manhattan,” explained Lisojo. The recent collaboration between both of these local visionaries was inspired by the Art X portion of Denver Fashion Week. Moya and Lisjo were introduced to each other through Jennifer Tom at 303 Magazine. Lisojo received an invitation to participate in this segment of DFW and was thrilled to work with Moya after seeing her work. “I received an email asking if I’d be interested in working on a collection for the Art X portion of Denver Fashion Week. I was a bit stressed at the time, but remember looking at Amy’s work and decided it was too amazing to pass up,” stated Moya. Working together and coming up with a vision for this collection was based on a mutual connection – Lisojo had moved to Denver from the East Coast and Moya had moved from the West Coast. They brought together both their experiences and conceptions from both these areas to bring about their visions. However, when the pandemic hit, plans became uncertain — especially those concerning Denver Fashion Week. Throughout this, Lisojo maintained her inspiration to continue to create and show her work. “Amy began making masks. We didn’t know where the work would land, but the beginnings of the blue suit hung in Amy’s studio. Amy expressed to me she had to finish the pieces because once she started her work began to come alive,” stated Moya. Much like the experience Lisojo was living through, Moya could relate in many ways. She felt as though now, more than ever, people needed a source of inspiration and art could be that outlet. When Denver Fashion Week was later canceled, the inspiration for this collection brought a whole new meaning for Lisojo. “Masks became a regular wearing for everyone in the studio — and the start of the project made Lisojo want to complete it even more,” said Moya. “In the studio hung the suit Moya and I started. I didn’t want to make masks — I wanted to bring this collection to life. Olive’s art was magic for me. It kept me in a positive, bright mental and spiritual space. As I executed each piece it just came alive and I wanted to share that with everyone,” explained Lisojo. Many components require attention from start to finish in a collection. A combination of photography, design, a vision and more calls to action for each piece involved. Lisojo photographed all the pieces and set in place a vision for the collection. Moya, moreover, created multiple designs — but was unsure how they would translate from start to finish. However, the results proved to be amazing when Lisojo showed her how they manifested. “She used some new methods for the first time, like a projector. In addition, she pinned multiple yards of fabric to the wall and projected my design onto it so she could cut one long strip. She wanted the “noodle” on the blue suit to be continuous — mimicking how I would paint it,” stated Moya. Working with an incredible group of talented and motivated individuals was rewarding for both Moya and Lisojo. Models, photographers and videographers showed up on time and full of enthusiasm to complete the task at hand. The sense of community and commitment from the people around them both proved to be an all around beneficial experience. The future can be an unpredictable thing to think about. But both of these creatives aspire to continue producing. “I certainly didn’t see myself where I am today 10 years ago. I feel like the most exciting thing that could happen in 10 years is something I don’t anticipate. Obviously, I always want to keep making work. If I can still be doing that in whatever aspect that’s relevant to me at the time, I’ll be happy,” explained Moya. “No doubt creating and sharing. Hopefully with the financial freedom to create what I want, when I want — with no sacrifices,” Lisojo predicted for her future. Photography courtesy of Shelby Perez
via https://303magazine.com/2020/11/denver-creatives-lisojo-moya/ A letter from ilind — the alias of Isaac Linder (an abbreviation of their name) — simply opens with, “Jazz is the teacher,” coincidentally the title of a 1993 Metroplex 12-inch record by 3MB (three men in Berlin). The three men in question happen to be some of the most pivotal names in electronic music, and the track itself is a frenetic, percussive, dubbed-out seven minutes of mostly live drums with some mechanized, over sparse, celestial synths. Moritz Von Oswald is a German percussionist and is credited as one of the founding fathers of dub techno, while Swiss-born Thomas Fehlmann is an affable weirdo and avant-garde electronic musician. Both played in Palais Schaumburg — a dadaist new wave band that sounds like a cross between This Heat and Throbbing Gristle, but jazzier — and are two of 3MB. The remaining member is none other than the great Juan Atkins, one of the most fundamental progenitors of Detroit techno. This group, 3MB, represents a bridge spanning across the Atlantic, class divide (Von Oswald is a member of the House of Bismarck, while Atkins grew up working class in Michigan) and race (Fehlmann and Von Oswald are white and Atkins is black). 3MB is built on a mutual reverence of jazz, so that when Linder writes that “‘Jazz is the teacher,’ it is a rare and absolute truth. This mantra serves as a summation of the many lengthy conversations Linder and I have had in the context of understanding sound. One of these conversations began by asking Linder how they got into DJing in the first place, to which they answered, “So, the long story is that I dropped out of high school when I was 16 to work at a record store.” And so begins the long, musical journey of one of Denver’s brightest gems, ilind. Linder grew up on the East Coast and spent time working at a local record store, which catalyzed their lifelong relationship with music. Digging into the many jazz and punk records available at their disposal, Linder describes days spent hungrily listening to record after record, sinking their teeth deeply into the store’s expansive catalog. Over time, Linder found themselves gravitating towards more noise-oriented and “sound art” records, with a steady diet of hip-hop mixed in. “I distinctly remember when DJ Shadow’s Endtroducing… record came out,” they recalled. With Baltimore in close proximity to the record shop, pretty soon Linder stumbled across the B-more club 12-inch records that arrived at the shop by the crate-load. As they immersed themselves into sample-based and club-oriented music, a realization dawned on Linder. “Being a musician doesn’t necessarily mean learning an instrument or be formally trained in any way. Rather, I can use records and samples and use the history to make some kind of work,” they said, a profound testament to the power of DJing as engagement with records others have crafted—a pure distillation of remix culture that took over the early 2000s. Eventually, Linder arrived in Colorado. While a student at Naropa University in Boulder, they met another local DJ, Lauren Zwicky, aka L.A. Zwicky. The two quickly joined forces with another friend, Travis Egedy — aka Pictureplane — to launch a monthly party at Meadowlark. The party continued for a long while and only ended when Pictureplane relocated to New York. Linder and Zwicky continued to work together. Zwicky ran a long-standing queer dance party called Sass Capacity, and eventually, Linder launched a blog and mix series, Abstract Without Abstraction (AW/OA). “Music, in some form or another, has just been a part of my life for so long I just don’t see it ever going anywhere,” said Linder. What more befitting than a blog to document their forays into the deepest corners of boundary-bending soundscapes? Spanning the harshest gabber to recordings of reverberating healing stones, AW/OA truly embodies some of the most abstract unsheathing and dissection of conceptual sound in today’s more experimental pockets of sound art. “Over the past few months, I’ve been having a particularly difficult time listening to the normal nebulae of rave-adjacent music that I often find myself listening to.” In their words however, expectations be damned, as Linder resolved to double down on the records that they’re actually listening to right now — the records that have been bringing them much-needed slivers of energy, solace, and inspiration. In particular, they are 10 tracks that paint a picture of the grief that Linder holds in regard to the country we live in. These tracks have helped Linder reconnect with the vision of a better present worth working towards. What emerged from Linder’s library is something like a kind of hanging Calder mobile, a constellation of moments from the ever-expanding cosmos of Black classical music — which, according to Linder, should always be written in the plural as “musics” when discussed through the anthropological lens. Isaac’s Deep Cuts1. Leroy Jenkins — “New Worlds, Space Minds, Survival of America” [Tomato Records, 1979] A spacious, twenty-one minute, electro-acoustic elegy, multi-instrumentalist Leroy Jenkins masterfully plays his violin alongside Anthony Davis, Andrew Cyrille, George Lewis, and Richard Teitelbaum. “Space Minds, New Worlds, Survival of America” takes up the entire A-side of the record, which is broken into six discreet chapters, according to the liner notes. Linder first encountered Leroy Jenkins while perusing through the work of composer Anthony Braxton, who wrote a song titled, “Dedicated to Multi-Instrumentalist Leroy Jenkins,” on his landmark 1969 record of solo alto saxophone music, “For Alto.” Only later did Linder come to find out that Jenkins was associated with Chicago’s AACM (Association for the Advancement of Creative Musicians). 2. Horace Tapscott Conducting The Pan-Afrikan Peoples Arkestra -- “Peyote Song No. III” [Nimbus West Records, 1978] Until artists like Braxton and others came along and popularized solo improvisation, jazz was by and large (and with the exception of recordings on piano), a group activity — quartets, quintets, big bands, ensembles, orchestras and communal “arkestras” (most famously Sun Ra’s Arkestra). In 1961, after years on the road during the Jim Crowe era, Tapscott settled in Los Angeles to create the Pan-Afrikan Peoples Arkestra in order to preserve works from Black composers and artists. The Ark is still active to this day and has seen notable musicians pass through its ranks, including Kamasi Washington. 3. Ronnie Boykins — “The Will Come, Is Now” [ESP Disk, 1975] Speaking of Sun Ra, Ronnie Boykins was a bassist in Sun Ra’s Arkestra, stepping out as a bandleader for the first and only time on this recording. 4. Charles Mingus — “Free Cell Block F ‘Tis Nazi U.S.A” [Atlantic, 1975] Mingus came up with the name of this track after reading newspaper articles about the Tuskegee Syphilis Study & Louisiana State Penitentiary. Regardless of the origin, the message is as clear as day — we’ve had to confront the racist roots of this country for a long time, and clearly, we’ve failed to adequately address the grip of white supremacy in America, as the song title is just as relevant today as it was in 1975. 5. Sonny Rollins — “The House I Live In” [Prestige, 1961] Originally penned by the communist composer and arranger Earl Robinson (who also wrote campaign songs for Theodore Roosevelt, Henry A. Wallace and eventually Jesse Jackson) in the early ’40s, the tune was memorialized by Frank Sinatra in the eponymous post-war short that attempted to address anti-semitism in the States before it went on to become a jazz standard covered by many musicians. Earl Robinson’s son Perry Robinson was a free-jazz clarinetist whose career overlapped with a handful of the other artists included on this list. Most interestingly, Perry was invited to Poland to play with the legendary tenor sax player Archie Shepp in 1962 at the 8th World Festival of Youth and Students. Shepp was a deep admirer of Earl Robinson’s work and went on to release a whole record titled “The House I Live In” in 1963. In response to the music festival, the CIA covertly funded a counter-festival to take place at the same time as a propaganda stunt to attract attention away and to try to show the Soviets that America was culturally tolerant and that jazz was ultimately a tool of democracy. 6. John Coltrane — “Alabama” [Impulse! Records, 1964] The classic Coltrane quartet pays tribute to the four children killed in the 16th Street Baptist Church bombing — an attack carried out by the KKK in 1963 on a Black church in Birmingham, Alabama. 7. Eddie Gale — “The Rain” [Blue Note, 1968] Carrying the momentum in the deeply mournful energy of the last track, “The Rain” was penned by another musician who was raised, in part, within Sun Ra’s Arkestra — Eddie Gale. The late Gale, who passed away in July of this year, is memorialized in a stint of Ra records from the late ’70s. This record is a totaling collective, swirling, coordinated energy akin to Horace Tapscott’s Pan-Afrikan Peoples Arkestra. No less than 17 players played together on this record, creating one of Linder’s favorite examples of music that is emotional, cathartic, fearless and an expression of a group’s longing for liberation and justice. 8. Archie Shepp — “Poem for Malcolm” [BYG Actuel, 1969] Mentioned earlier, here Shepp appears alongside members of the AACM to create a powerfully emotive piece that captures the churning pain and fiery desire of loss, liberation and revolution. Much of Shepp’s work engages with the politics of liberation, namely with pieces such as “Attica Blues.” 9. Pharoah Sanders — “You’ve Got to Have Freedom,” (12” version) [Expansion, 1980] Completely unmistakable, this vocal version of Sanders’ “You’ve Got to Have Freedom,” is incendiary and corrosively acidic as it’s played with such a divine, ecstatic tone. There’s nothing like the joy and verve of this track, and the harmonizing vocals sound like a chorus of angels. Linder picked up their copy on their first visit to Phonica records in London when it was reissued in 2018. In the words of Albert Ayler, “Trane [Coltrane] was the father, Pharoah was the son and I [Ayler] was the Holy Ghost.” 10. Rahsaan Roland Kirk — “There Will Never Be Another You” [Warner Bros., 1976] This gorgeous piece turned pseudo-standard was originally written in 1942 and covered by many, most notably Lionel Hampton, Chet Baker and Lester Young with Oscar Peterson. This version done by Kirk includes the scaling improvisations Kirk was notorious for. Kirk, who was blind from a young age, was notorious in his ability to play multiple instruments at once, even after suffering a stroke in 1975 and losing mobility on one side of his body, he still managed to play multiple instruments at once. In Linder’s words, “There’s simply too much incredible music in the densely interwoven histories, tracing back to the twin capitals of New Orleans and Kansas City to be able to repay the full debt of gratitude that we owe to all of the masters of this music. [There are] easily a hundred other names I wish I could share here.” These 10 jazz pieces are a small start, a beautifully adventurous snapshot of the vast ocean of jazz relics crafted by the masters.
It has not! Since I’m home most of the time, I only have to wear a mask for less than an hour or two a week (and often broken up into 5-10 minute periods!).
— Christine
via https://www.temptalia.com/has-your-skincare-routine-as-a-result-of-the-pandemic/ ![]() Nordstrom Black Friday Deals for 2020 are already available for preview! You can start shopping them November 20th through December 1st. Thousands of items will be up to 50% off, both online and in-stores, and there will be new deals available on Monday (11/23), Wednesday (11/25), Black Friday (11/27), and Cyber Monday (11/30). Here’s a summary of the Black Friday preview so far (but we expect a lot more deals!): Nordstrom Black Friday Beauty Deals
Nordstrom Black Friday Clothing/Home Deals
What is Black Friday 2020?Black Friday is the day after Thanksgiving (which is November 26th), so Black Friday 2020 falls in November 27th, 2020 this year. It’s a popular day for brands and retailers to launch mega sales and promotions geared to get your holiday gift-giving dollars. More and more brands participate each year, which can make it overwhelming to know when to shop or whether a deal is really good. That increased competition has given way to Cyber Week 2020, which kicks off November 23rd, 2020 and marks when most of the earlier sales begin, through Cyber Monday 2020 on November 30th. ![]() Nordstrom Black Friday Deals 2020 ![]() Nordstrom Black Friday Deals 2020 via https://www.temptalia.com/nordstrom-black-friday-cyber-monday-deals/ ![]() At Forest SightColour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ($20.00 for 0.36 oz.) is a new palette for the holiday season that includes 10 matte eyeshadows and two metallic eyeshadows. It has more of a darker, richer rainbow-like color story with a warmer tone to it overall, but there were a few shades that add coolness. I expect that it will work best as a complementary palette as it has a lot of richer matte shades that would pair well with a variety of shimmery eyeshadows. The eyeshadows were pigmented, long-wearing, and most were blendable but some were a little drier, thinner, or powdery, depending on the shade.
A-
A-
9
Product
9.5
Pigmentation
9
Texture
8.5
Longevity
4.5
Application
90%
Total
![]() PuffballPuffball is a lighter, brighter brown with strong, warm yellow undertones and a matte finish. It was warmer and browner than most more olive-green shades, but it was slightly olive in comparison to a lot of “yellowy-brown” shades I’ve come across. It had opaque color coverage paired with a soft, smooth, and velvety consistency that was substantial without being difficult to work with. There were signs of fading present after eight hours of wear. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A
A
9.5
Product
10
Pigmentation
9.5
Texture
8.5
Longevity
5
Application
94%
Total
![]() ChanterelleChanterelle is a bright, lighter orange with strong, warm yellow undertones and a matte finish. It had opaque pigmentation in a single layer, which applied well to bare skin and diffused nicely along the edges. The texture was soft, lightly powdery but substantial so it wasn’t prone to sheering out. It lasted well for eight hours before fading visibly. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A
A
9.5
Product
10
Pigmentation
9.5
Texture
8.5
Longevity
5
Application
94%
Total
![]() RainierRainier is a deeper, brownish copper with moderate, warm undertones and a matte finish. The eyeshadow had a soft, velvety texture that was lightly powdery in the pan but wasn’t prone to sheering out or having fallout during application. It had intense color payoff in a single layer, which stayed on well for eight hours before fading noticeably. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A
A
9.5
Product
10
Pigmentation
9.5
Texture
8.5
Longevity
5
Application
94%
Total
![]() Old GrowthOld Growth is a muted, dusty coral with strong, warm undertones and a matte finish. The consistency felt soft, smooth, and was lightly powdery with a tendency to sheer out slightly during application. Thankfully, the semi-opaque coverage was buildable to full coverage with little effort. It wore nicely for eight hours before showing signs of fading. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
B+
B+
8.5
Product
9.5
Pigmentation
8.5
Texture
8.5
Longevity
5
Application
89%
Total
![]() EvergreenEvergreen is a light, olive green base with lighter, brighter gold and greenish-gold shimmer that gave it a metallic finish. It had nearly opaque color payoff that adhered evenly to bare skin without fallout. The consistency was soft, smooth, and lightly emollient so it picked up well with a dry brush. It lasted well for eight hours before fading visibly. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A-
A-
9
Product
9.5
Pigmentation
9
Texture
8.5
Longevity
5
Application
91%
Total
![]() West CoastWest Coast is a rich, medium gold with strong, warm undertones and a metallic sheen. The texture was fairly smooth with some slip with more of a loose press to it, so it was best used with a lighter hand to avoid fallout. It had opaque color coverage that stayed on well for eight hours on me. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A-
A-
9
Product
10
Pigmentation
9
Texture
8.5
Longevity
5
Application
92%
Total
![]() HomegrownHomegrown is a rich, deeper red-brown with subtle, warm undertones and a matte finish. The eyeshadow had rich pigmentation paired with a soft, velvety texture that was slightly powdery in the pan. I’d recommend using a lighter hand when picking up product and pressing gently into place, then trying to blend out, as it could have fallout otherwise. The color wore well for eight and a half hours before fading noticeably. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A
A
9
Product
10
Pigmentation
9
Texture
9
Longevity
5
Application
93%
Total
![]() AmanitaAmanita is a deeper, raspberry red with subtle, cool undertones and a matte finish. The consistency was slightly drier and thinner compared to most of the mattes, and it wasn’t quite as blendable as a result. It had semi-opaque, buildable pigmentation that lasted nicely for eight and a half hours on me and stained slightly. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing." The way the Pressed Pigments differ is that they're not intended for usage on the immediate eye area. The majority of the shades are semi-opaque to opaque in coverage, blend out fairly well, and can sometimes be a bit drier/more powdery compared to typical matte shades. They often wear eight to nine hours on me before fading, but many shades in the Pressed Pigment family leave some staining behind. Browse all of our Colour Pop Pressed Powder Pigment swatches.
NOTICE: All products categorized under "Pigment" carry a warning in the US that the product is "not intended for use in the immediate eye area." Brands in the US typically market these products as "Pigments" (instead of "Eyeshadow"), and there is often a warning on the back of packaging or the label. The product includes color additives that are not approved for usage on the eyes per the FDA. Some color additives in "Pigments" have no usage restrictions in the EU, per CosIng, and can be used on the eyes. We recommend checking ingredients to confirm current safety assessment/restrictions: FDA/CosIng.
B
B
7.5
Product
9
Pigmentation
7.5
Texture
9
Longevity
4.5
Application
83%
Total
![]() FiddleheadFiddlehead is a medium olive green with moderate, warm undertones and a matte finish. The texture was slightly firmer, though less powdery, compared to other shades in the palette, but it was blendable and easy to work with, so it was not an issue. The pigmentation was opaque and stayed on well for eight hours before fading visibly. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A-
A-
9
Product
10
Pigmentation
9
Texture
8.5
Longevity
5
Application
92%
Total
![]() Emerald CityEmerald City is a medium-dark, emerald green with a matte finish and cooler undertones. It had rich color coverage that applied evenly to bare skin. The texture was soft, lightly powdery in the pan, and a smidgen drier than other mattes, so it wasn’t quite as blendable as it could have been. It wore well for eight and a half hours before showing signs of fading. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A-
A-
8.5
Product
10
Pigmentation
8.5
Texture
9
Longevity
4.5
Application
90%
Total
![]() PNWPNW is a deep, bluish-teal with cool undertones and a matte finish. The eyeshadow had a soft, velvety texture that was lightly powdery in the pan but yielded intense pigmentation in a single layer. It applied evenly and blended out well along the edges. It lasted well for eight and a half hours before fading noticeably. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
A
A
9
Product
10
Pigmentation
9
Texture
9
Longevity
5
Application
93%
Total
![]() Let It RainLet It Rain is a slightly warm-toned black base with flecks of copper micro-sparkle over a matte finish. It had opaque pigmentation that applied well to bare skin with a smooth, even laydown of product, but there was noticeable fallout (mostly from the sparkle, which did not really bind with the base product). The texture was soft, somewhat powdery but blendable. This shade stayed on nicely for eight hours before fading visibly. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$4.50/0.05 oz. - $90.00 Per Ounce The new Pressed Powder Shadow formula is supposed to be “highly pigmented” with an “ultra-velvety and silky” texture that is “long-wearing” and “adheres easily to the eyes.” Most of the shades have semi-opaque to opaque pigmentation that applies well to bare skin, blends out without issue, and lasts for seven to eight hours. The matte eyeshadows tend to be a little more powdery, though soft and finely-milled, in the pan, while the shimmers have a creamier, dense consistency. Occasionally, the more sparkly or metallic shades apply better with fingertips or a dampened brush. Browse all of our Colour Pop Pressed Powder Shadow swatches.
B+
B+
8.5
Product
10
Pigmentation
8
Texture
8.5
Longevity
4.5
Application
88%
Total
![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop Puffball Pressed Powder Shadow ![]() Colour Pop Puffball Pressed Powder Shadow ![]() Colour Pop Chanterelle Pressed Powder Shadow ![]() Colour Pop Chanterelle Pressed Powder Shadow ![]() Colour Pop Rainier Pressed Powder Shadow ![]() Colour Pop Rainier Pressed Powder Shadow ![]() Colour Pop Old Growth Pressed Powder Shadow ![]() Colour Pop Old Growth Pressed Powder Shadow ![]() Colour Pop Evergreen Pressed Powder Shadow ![]() Colour Pop Evergreen Pressed Powder Shadow ![]() Colour Pop Evergreen Pressed Powder Shadow ![]() Colour Pop West Coast Pressed Powder Shadow ![]() Colour Pop West Coast Pressed Powder Shadow ![]() Colour Pop West Coast Pressed Powder Shadow ![]() Colour Pop Homegrown Pressed Powder Shadow ![]() Colour Pop Homegrown Pressed Powder Shadow ![]() Colour Pop Amanita Pressed Powder Pigment ![]() Colour Pop Amanita Pressed Powder Pigment ![]() Colour Pop Fiddlehead Pressed Powder Shadow ![]() Colour Pop Fiddlehead Pressed Powder Shadow ![]() Colour Pop Emerald City Pressed Powder Shadow ![]() Colour Pop Emerald City Pressed Powder Shadow ![]() Colour Pop PNW Pressed Powder Shadow ![]() Colour Pop PNW Pressed Powder Shadow ![]() Colour Pop Let It Rain Pressed Powder Shadow ![]() Colour Pop Let It Rain Pressed Powder Shadow ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop At Forest Sight 12-Pan Pressed Powder Shadow Palette ![]() Colour Pop Puffball Pressed Powder Shadow ![]() Colour Pop Puffball Pressed Powder Shadow ![]() Colour Pop Chanterelle Pressed Powder Shadow ![]() Colour Pop Chanterelle Pressed Powder Shadow ![]() Colour Pop Rainier Pressed Powder Shadow ![]() Colour Pop Rainier Pressed Powder Shadow ![]() Colour Pop Old Growth Pressed Powder Shadow ![]() Colour Pop Old Growth Pressed Powder Shadow ![]() Colour Pop Evergreen Pressed Powder Shadow ![]() Colour Pop Evergreen Pressed Powder Shadow ![]() Colour Pop Evergreen Pressed Powder Shadow ![]() Colour Pop West Coast Pressed Powder Shadow ![]() Colour Pop West Coast Pressed Powder Shadow ![]() Colour Pop West Coast Pressed Powder Shadow ![]() Colour Pop Homegrown Pressed Powder Shadow ![]() Colour Pop Homegrown Pressed Powder Shadow ![]() Colour Pop Amanita Pressed Powder Pigment ![]() Colour Pop Amanita Pressed Powder Pigment ![]() Colour Pop Fiddlehead Pressed Powder Shadow ![]() Colour Pop Fiddlehead Pressed Powder Shadow ![]() Colour Pop Emerald City Pressed Powder Shadow ![]() Colour Pop Emerald City Pressed Powder Shadow ![]() Colour Pop PNW Pressed Powder Shadow ![]() Colour Pop PNW Pressed Powder Shadow ![]() Colour Pop Let It Rain Pressed Powder Shadow ![]() Colour Pop Let It Rain Pressed Powder Shadow via https://www.temptalia.com/colourpop-x-raw-beauty-kristi-at-forest-sight-palette-review-swatches/ ![]() Release Date + About the LaunchObsessed since the very first Huda Beauty releases hit our shelves – the falsies will forever be a favourite – we’ve watched in wonder as the brand evolved into the impressive, world-worshipped range it is today. With a phenomenal fan base (45+ million Instagram followers and counting), Huda Kattan is nothing less than beauty industry sensation – and to celebrate five unbelievable years together, we’re honoured and endlessly excited to present our exclusive collaboration: (drumroll, please…) feast your eyes on the Gold Obsessions Palette! Coming soonProducts in the LaunchGold Obsessions Palette, $£27.00 (Limited Edition, Cult Beauty Exclusive)In honour of five years of Huda Beauty at Cult Beauty – time flies when Huda’s changing the face of the beauty industry – we’re proud to present the exclusive(!) Gold Obsessions Palette: an ultra-opulent array of molten gold shadows. A limited-edition release that you won’t want to miss, this palette stars nine gold-standard shades in three delectable finishes; there are pigment-packed, buttery mattes, metallics that rival liquid gold and shimmery toppers that emulate the decadence of fine champagne. Not to mention the all-new texture that features in the endlessly glamorous edit — a pink shimmer and gold metallic base that’s actually adorned with flakes of gold *heart eyes*. Dotting earthy neutrals amongst the varying tones of the titular shade, this palette is a gold mine of versatile, glowing looks… ![]() Huda Beauty Gold Obsessions Palette Coming Soon! ![]() Huda Beauty Gold Obsessions Palette Coming Soon! ![]() Huda Beauty Gold Obsessions Palette Coming Soon! ![]() Huda Beauty Gold Obsessions Palette Coming Soon! via https://www.temptalia.com/huda-beauty-gold-obsessions-palette-coming-soon/
![]() Release Date + About the LaunchCreated to be with you, always. NABLA Side by Side pulls together chromatic classicism and the daily artistic gesture of makeup, celebrating self expression and inner artistry. Inside, 16 brand new shades were developed to create an extended range of neutral looks and to easily define eyes, with a game of reflections, lights and shades. The different finishes, carefully developed for each shade, give a precious touch to each look, making it iconic. The formulas are rich, creamy, extremely pigmented and highly performing: from Super Matte, to Metal Foil, to the beloved Celestial. Now onlineProducts in the LaunchSide By Side Palette, $39.00 (New, Permanent)
Ruby Lights Glitter Palette, $25.00 (New, Permanent)
![]() NABLA Cosmetics Side by Side Collection ![]() NABLA Cosmetics Side by Side Collection ![]() NABLA Cosmetics Side by Side Collection ![]() NABLA Cosmetics Side by Side Collection ![]() NABLA Cosmetics Side by Side Collection ![]() NABLA Cosmetics Side by Side Collection via https://www.temptalia.com/nabla-cosmetics-side-by-side-collection/ ![]() OlympicColour Pop Olympic Super Shock Shadow ($6.00 for 0.07 oz.) is a light, slightly rosier beige with warm undertones and a metallic sheen. It had rich color coverage in a single layer that applied evenly to bare skin. The texture was smooth, lightly emollient but not overly slippery, so it was easy to work with. This shade lasted nicely for 10 hours before fading a bit. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$6.00/0.07 oz. - $85.71 Per Ounce ColourPop Super Shock Shadow is a cream-based formula that comes in a multitude of shades and finishes. The more metallic shades have the most slip to them (they have a “wetter” feel), while the more matte ones have a firmer, more clay-like consistency. Almost every shade I’ve tried from ColourPop has been exceptionally long-wearing (10+ hours of wear, usually there until I remove, even 14 hours later). The pigmentation can vary from shade to shade, but the average shade is quite pigmented. From feedback I’ve seen from readers, many love them but some don’t like them at all. They aren’t a traditional cream eyeshadow, as they are denser (more sponge-like), and they apply best with flat, firm, synthetic brushes (I like the MAC 242 and 249) for me. The brand recommends using fingers for the most pigmented application, but I’ve only felt that fingers were necessary on a few shades (usually the super glittery ones). The more matte shades can be on the drier side and vary from medium to opaque in coverage, though they're often buildable. They can be a little hard to diffuse the edges of, though some are lovely to work with. The more glittery shades have been the weakest to me, as they can be sheerer or harder to apply. Sometimes, they are more pigmented and work like the other finishes in the formula, but often, they are sheerer and only function well patted on top of more pigmented eyeshadows to add glitter. They do, however, tend to have little fallout over time with the occasional shade having a more moderate amount of fallout (but still less fallout than most powder eyeshadows with glitter). Browse all of our Colour Pop Super Shock Shadow swatches.
A+
A+
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total
![]() MyceliumColour Pop Mycelium Super Shock Shadow ($6.00 for 0.07 oz.) is a medium peach with moderate, warm undertones and a sparkling finish with flecks of pink and copper sparkle throughout. It had a more metallic finish, but there was some texture and bunching up when applied to my lid (even with a fingertip) that emphasized my lid texture/lines. It had mostly opaque color payoff in a single layer, while the product felt lightly emollient in the pot. There was slight fallout after nine hours of wear. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$6.00/0.07 oz. - $85.71 Per Ounce ColourPop Super Shock Shadow is a cream-based formula that comes in a multitude of shades and finishes. The more metallic shades have the most slip to them (they have a “wetter” feel), while the more matte ones have a firmer, more clay-like consistency. Almost every shade I’ve tried from ColourPop has been exceptionally long-wearing (10+ hours of wear, usually there until I remove, even 14 hours later). The pigmentation can vary from shade to shade, but the average shade is quite pigmented. From feedback I’ve seen from readers, many love them but some don’t like them at all. They aren’t a traditional cream eyeshadow, as they are denser (more sponge-like), and they apply best with flat, firm, synthetic brushes (I like the MAC 242 and 249) for me. The brand recommends using fingers for the most pigmented application, but I’ve only felt that fingers were necessary on a few shades (usually the super glittery ones). The more matte shades can be on the drier side and vary from medium to opaque in coverage, though they're often buildable. They can be a little hard to diffuse the edges of, though some are lovely to work with. The more glittery shades have been the weakest to me, as they can be sheerer or harder to apply. Sometimes, they are more pigmented and work like the other finishes in the formula, but often, they are sheerer and only function well patted on top of more pigmented eyeshadows to add glitter. They do, however, tend to have little fallout over time with the occasional shade having a more moderate amount of fallout (but still less fallout than most powder eyeshadows with glitter). Browse all of our Colour Pop Super Shock Shadow swatches.
B+
B+
8.5
Product
9
Pigmentation
8.5
Texture
8.5
Longevity
4.5
Application
87%
Total
![]() Like a MossColour Pop Like a Moss Super Shock Shadow ($6.00 for 0.07 oz.) is a light, coppery base with green-to-golf shifting pearl and faint micro-sparkle paired with a metallic finish. The texture was smooth, emollient, and thin without being difficult to apply to bare skin (with a fingertip or a flat, synthetic brush). It had nearly opaque pigmentation that was buildable to full coverage with less than half of a layer. This shade lasted nicely for 10 hours before fading a bit. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$6.00/0.07 oz. - $85.71 Per Ounce ColourPop Super Shock Shadow is a cream-based formula that comes in a multitude of shades and finishes. The more metallic shades have the most slip to them (they have a “wetter” feel), while the more matte ones have a firmer, more clay-like consistency. Almost every shade I’ve tried from ColourPop has been exceptionally long-wearing (10+ hours of wear, usually there until I remove, even 14 hours later). The pigmentation can vary from shade to shade, but the average shade is quite pigmented. From feedback I’ve seen from readers, many love them but some don’t like them at all. They aren’t a traditional cream eyeshadow, as they are denser (more sponge-like), and they apply best with flat, firm, synthetic brushes (I like the MAC 242 and 249) for me. The brand recommends using fingers for the most pigmented application, but I’ve only felt that fingers were necessary on a few shades (usually the super glittery ones). The more matte shades can be on the drier side and vary from medium to opaque in coverage, though they're often buildable. They can be a little hard to diffuse the edges of, though some are lovely to work with. The more glittery shades have been the weakest to me, as they can be sheerer or harder to apply. Sometimes, they are more pigmented and work like the other finishes in the formula, but often, they are sheerer and only function well patted on top of more pigmented eyeshadows to add glitter. They do, however, tend to have little fallout over time with the occasional shade having a more moderate amount of fallout (but still less fallout than most powder eyeshadows with glitter). Browse all of our Colour Pop Super Shock Shadow swatches.
A
A
9.5
Product
9.5
Pigmentation
9.5
Texture
10
Longevity
5
Application
97%
Total
![]() CampfireColour Pop Campfire Super Shock Shadow ($6.00 for 0.07 oz.) is a richer, more orange-dominant copper with strong, warm undertones and a lightly sparkled, pearly sheen. It had opaque color payoff in a single layer, which adhered evenly to bare skin and blended out well along the edges without sheering out too readily. The texture was smooth, lightly emollient, and almost wet to the touch but felt powder-like when it came into contact with my skin. It stayed on well for 10 hours before fading visibly. FURTHER READING: Formula Overview for details on general performance and characteristics (like scent). Top Dupes
Formula Overview$6.00/0.07 oz. - $85.71 Per Ounce ColourPop Super Shock Shadow is a cream-based formula that comes in a multitude of shades and finishes. The more metallic shades have the most slip to them (they have a “wetter” feel), while the more matte ones have a firmer, more clay-like consistency. Almost every shade I’ve tried from ColourPop has been exceptionally long-wearing (10+ hours of wear, usually there until I remove, even 14 hours later). The pigmentation can vary from shade to shade, but the average shade is quite pigmented. From feedback I’ve seen from readers, many love them but some don’t like them at all. They aren’t a traditional cream eyeshadow, as they are denser (more sponge-like), and they apply best with flat, firm, synthetic brushes (I like the MAC 242 and 249) for me. The brand recommends using fingers for the most pigmented application, but I’ve only felt that fingers were necessary on a few shades (usually the super glittery ones). The more matte shades can be on the drier side and vary from medium to opaque in coverage, though they're often buildable. They can be a little hard to diffuse the edges of, though some are lovely to work with. The more glittery shades have been the weakest to me, as they can be sheerer or harder to apply. Sometimes, they are more pigmented and work like the other finishes in the formula, but often, they are sheerer and only function well patted on top of more pigmented eyeshadows to add glitter. They do, however, tend to have little fallout over time with the occasional shade having a more moderate amount of fallout (but still less fallout than most powder eyeshadows with glitter). Browse all of our Colour Pop Super Shock Shadow swatches.
A
A
9.5
Product
10
Pigmentation
9.5
Texture
10
Longevity
5
Application
98%
Total
![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Olympic Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Mycelium Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Like a Moss Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow ![]() Colour Pop Campfire Super Shock Shadow via https://www.temptalia.com/colourpop-x-raw-beauty-kristi-super-shock-shadows-reviews-swatches/ |
About UsHello Colorado friends. I hope you are having a lovely day! Smile bright and keep moving forward. Archives
November 2020
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